On Monday night, May 13, Babymetal returned to AFAS Live in Amsterdam. The venue felt even more packed than last time, with a crowd that was just as mixed. From curious newcomers to die-hard fans, everyone was ready.
Before the show started, something caught my eye. Several cameras were set up near the sound booth, and one hung high above the crowd, aimed directly at the audience. I remembered that during their previous show, Babymetal had shown crowd shots on the big screens. Maybe they’d do that again.
Before Babymetal took the stage, we saw a set by Poppy. Early on, she asked for a mosh pit, but the crowd didn’t quite respond. A small circle formed at the front, but not much more. Later, during her song Concrete, she gave it another try. This time, it worked. Two large circles opened up in the middle of the venue. Pretty impressive, especially since the lights had just gone out and you could hardly see anything.
At times, Poppy disappeared from the stage and you could only hear her voice, like a voice-over. It reminded me of the style of her videos. Her vocals were solid, which is always a plus at a live show. All in all, Poppy delivered a fun performance with good vocals and nice interaction.
After a short break, Babymetal’s show kicked off slightly earlier than planned. Just like last time, they showed a video before the girls made their entrance.
From the first moment, they were completely in sync. With flames, fireworks, and smoke, they grabbed the crowd’s attention and didn’t let go.
The energy was high throughout, but when PA PA YA!! started, the whole venue lit up. Everyone sang, danced, and jumped along.
I’m always amazed at how these girls keep their energy up all the way through, without ever dropping the quality. Their choreography is tight, and the vocals sound just as clean as in the studio.
Even if you’re not into this kind of music, a Babymetal show is absolutely worth it. This trio knows exactly how to entertain.
BABYMETAL Team Up With Poppy For New Song ‘From Me To U’
BABYMETAL have just released a brand new song with Poppy called from me to u. The track has been produced by ex-Bring Me The Horizon’s Jordan Fish.
The song is the first single from BABYMETAL’s next album, Metal Forth, which comes out on June 13th. Poppy, who’s been a longtime fan of the band, said she was excited to finally work with them: “I have been a fan of BABYMETAL for years and I am so happy for this song to finally be here! They have inspired me so much, enjoy ‘from me to u’!”
BABYMETAL also shared their excitement, saying the song is full of “kawaii” (cute) energy mixed with heavy sound: “A kawaii metal song was born from a collaboration between BABYMETAL and Poppy! Check out Poppy’s shouts and BABYMETAL‘s dance in the Neo Tokyo setting! Kawaii is sprinkled throughout the intense sound! Kimi ni todoke!“
Metal Forth will include other big collaborations too, like songs with Spiritbox, Tom Morello, Polyphia, and more. BABYMETAL will also kick off a big arena tour in Europe starting in May, followed by a North American tour in June.
You can check out from me to u below and let us know what you think!
Bloodywood & BABYMETAL Join Forces For New Single ‘Bekhauf’
Japanese pop-metal sensation BABYMETAL has joined forces with Indian metal band Bloodywood to release a new single, Bekhauf, accompanied by a anime-inspired music video.
The collaboration blends Bloodywood’s signature fusion of nu-metal and Indian folk music with BABYMETAL’s unique pop-metal style, creating a trilingual track featuring English, Hindi, and Japanese lyrics.
“Bekhauf,” which translates to “fearless” in Hindi, delivers a message about confronting and overcoming personal fears.
Bloodywood expressed their enthusiasm for the partnership, stating, “We were all fans of BABYMETAL’s music but were still surprised by the level of synergy we managed to achieve on the track.”
The accompanying animated video, directed by Debjyoti Saha, showcases a vibrant blend of anime and video game aesthetics, further enhancing the song’s energetic vibe.
Both bands have exciting plans for 2025. Bloodywood are set to embark on their Return of the Singh tour across Europe and the UK, while BABYMETAL have announced a European arena tour in May.
Check out the new track and video below and let us know what you think!
BABYMETAL are heading back to the UK and Europe in 2025 with their first full arena tour overseas! The iconic Japanese metal band has just announced a series of massive headline shows across the region, coming to some of the biggest stages in Europe.
Joining BABYMETAL on this tour will be special guests Poppy and Bambie Thug, adding even more excitement to the highly anticipated concerts. The tour is set to take place in May 2025.
Tickets for the UK and Europe arena dates will go on sale this Friday, October 25th, via BABYMETAL’s official website. Fans are encouraged to act quickly, as these shows are expected to sell out fast.
Check out the announcement post below and let us know if you plan on attending!
CONCERT REVIEW: Explosive Energy And Metal Mastery With BABYMETAL
On Wednesday evening, June 12th, the metal band BABYMETAL performed at AFAS Live. I was very curious about the show since I had heard a lot about this band. The opening act was DeathbyRomy, a singer I had not heard of before, but I was eager to see what she had to offer.
From the start of the opening act, the atmosphere was electric. Everyone was enthusiastic and started clapping along to the first song. Although the mood was set, an attempt to get the audience to jump during the second song didn’t quite succeed. Nevertheless, the first mosh pits of the evening emerged during the opening act, and I was certain they wouldn’t be the last.
The singer performed ten songs in about 30 minutes, including a song that was performed live for only the second time that evening.
Just before the last song, the other band members were introduced and received applause. Despite the loud music, the band ended on a cute note. Before leaving the stage, they made heart shapes with their hands.
After DeathbyRomy, it was time to wait for BABYMETAL. Fortunately, the wait was shorter than expected, as the trio took the stage fifteen minutes earlier than scheduled.
The show opened with BABYMETAL DEATH, where the girls marched onto the stage in sync. While this wasn’t particularly remarkable, the effects kicked in during the second song. There was fire, but also live camera footage from the audience was shown.
Unlike the support act, the stage was slightly modified for BABYMETAL. There was an elevated platform on the stage, making them more visible. This platform had a screen at the front that synced well with the screen at the back of the stage, creating a cohesive look from the audience’s perspective. A camera above the stage provided a view of both the band and the audience, and another camera directly above the center of the crowd captured the mosh pits, allowing those who preferred not to participate to still enjoy the experience.
During the third song (PA PA YA!!), I noticed several people in the crowd waving and twirling various items like shirts and flags. The transitions between songs were also noteworthy. At the end of each song, the lights went out, leaving only blue lights on the platform before the next song started.
At the beginning of METALI!!, there was a brief interaction with the audience, and the group performed choreography as in the other songs. The guitars were particularly prominent in this song, which I loved. Halfway through the song, a large mosh pit was created when the group asked the audience to crouch down. After a small choreography segment, they asked, “Are you ready?” and the entire crowd went wild.
Overall, the stage effects were impressive, ranging from visuals and fire to smoke effects. The fire effects were especially notable during RATATATA, with the flames so intense that you could feel the heat at the back of the hall.
One of BABYMETAL’s most popular songs, Gimme Chocolate!!, was also performed. The audience’s enthusiasm noticeably increased when this song began.
For the final song, the girls stood with flags on the stage. Before the rest of the song started, the flags were removed. There were a few more interactive moments during this song, such as singing along with parts of the song and, of course, one last mosh pit. As the girls left the stage, a video was shown, and the show ended. I found the ending somewhat abrupt, but from what I heard in the crowd, this is normal for them.
In conclusion, even though I am not a typical metal listener, I had a fantastic evening. The show was a delight to watch, and the audience had made a remarkable effort with their outfits. If you ever get the chance to see BABYMETAL but aren’t a big metal fan, I still recommend going. These girls certainly know how to put on a show.
ROCK AM RING 2024: BABYMETAL’s Standout Performance & ‘Surprise’ Collab
It’s time to buckle up and dive headfirst into the world of one of Europe’s biggest celebrations of rock & metal music. Rock Am Ring 2024, where music enthusiasts from all walks of life unite under the banner of rock ‘n’ roll. Join us on this extraordinary journey as we witness the power of rock, metal and everything in between in all its glory. Rock Am Ring 2024 promises to be a monumental chapter in the festival’s storied history and you’ll find all the coverage you need right here at Strife Mag.
Halfway through the evening on the second day of Rock Am Ring, the truly unique BABYMETAL took the stage on the Mandora stage. Earlier that day, the trio already made an appearance during Electric Callboy’s set, where they joined the band on stage for the live performance of their brand new collaborative single RATATATA. Little did we know that later that evening, Electric Callboy would also join BABYMETAL during their own performance to play the collaborative song once more.
BABYMETAL’s performance at Rock Am Ring 2024 was a standout show that with impressive instrumentals, choreography, vocals and pyrotechnics. Known for their unique blend of J-pop and heavy metal, the Japanese trio brought their signature “kawaii metal” style to one of Europe’s biggest rock festivals, delivering a performance that was both visually and sonically spectacular.
The set began with a burst of energy as BABYMETAL took the stage to thunderous applause. The crowd was immediately captivated by their theatrical entrance and the intense choreography that accompanied their powerful music.
The production values were top-notch, with impressive pyrotechnics, elaborate costumes, and a dynamic light show that enhanced the overall experience. BABYMETAL’s ability to seamlessly blend catchy pop melodies with heavy metal riffs made their set accessible to a diverse audience, bridging the gap between genres in a way few bands can achieve.
Overall, BABYMETAL’s performance at Rock Am Ring 2024 was a triumph, solidifying their reputation as one of the most innovative and entertaining acts in the rock and metal scene today. For those who witnessed it, the show was an unforgettable highlight of the festival, for which some visuals can be seen in the gallery right below.
Check out some of the images of the band’s epic performance right below and let us know if you are going to see BABYMETAL live during the festival season. Stay tuned to all our Rock Am Ring coverage by following our socials over on X, Instagram and Facebook.
