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Babymetal @ AFAS Live, Amsterdam

CONCERT REVIEW: Babymetal Light Up AFAS Live

On Monday night, May 13, Babymetal returned to AFAS Live in Amsterdam. The venue felt even more packed than last time, with a crowd that was just as mixed. From curious newcomers to die-hard fans, everyone was ready.

Before the show started, something caught my eye. Several cameras were set up near the sound booth, and one hung high above the crowd, aimed directly at the audience. I remembered that during their previous show, Babymetal had shown crowd shots on the big screens. Maybe they’d do that again.

Before Babymetal took the stage, we saw a set by Poppy. Early on, she asked for a mosh pit, but the crowd didn’t quite respond. A small circle formed at the front, but not much more. Later, during her song Concrete, she gave it another try. This time, it worked. Two large circles opened up in the middle of the venue. Pretty impressive, especially since the lights had just gone out and you could hardly see anything.

At times, Poppy disappeared from the stage and you could only hear her voice, like a voice-over. It reminded me of the style of her videos. Her vocals were solid, which is always a plus at a live show. All in all, Poppy delivered a fun performance with good vocals and nice interaction.

After a short break, Babymetal’s show kicked off slightly earlier than planned. Just like last time, they showed a video before the girls made their entrance.

From the first moment, they were completely in sync. With flames, fireworks, and smoke, they grabbed the crowd’s attention and didn’t let go.

The energy was high throughout, but when PA PA YA!! started, the whole venue lit up. Everyone sang, danced, and jumped along.

I’m always amazed at how these girls keep their energy up all the way through, without ever dropping the quality. Their choreography is tight, and the vocals sound just as clean as in the studio.

Even if you’re not into this kind of music, a Babymetal show is absolutely worth it. This trio knows exactly how to entertain.

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Kelly Vermeer