what's happening with Album reviews 2019

ALBUM REVIEW – WAGE WAR: “Pressure”

wage-war

Admittedly, while open to all kinds of music genres, so far I’ve always been more of a rock kind of girl. Listening to the new Wage War album has been my latest attempt into metalcore music and boy, it was so worth it.

With “Pressure”, this group from Florida (formed by Briton Bond, Seth Blake, Cody Quistad, Chris Gaylord, and Stephen Kluesener), deliver an emotional third album, filled with quite interesting themes, and which overall left me wondering why aren’t they more known.

Throughout its twelve tracks, several important matters are discussed, such as self-doubt, lack of confidence and mental struggle, weights that come not only from external sources, but especially from the damage our own minds can do to ourselves. There is little worse than feeling at war with ourselves in order to be better or happier so, as a listener, not only was I easily able to empathize with the grief conveyed but also, I found myself deeply moved.

Moreover, I believe this issues are so important and common amongst society that personally, I find that the more it is spoken, the better. For me it’s always been easy to sort my thoughts and feelings out through music so I believe musicians speaking up about these conflicts is essential in order to raise awareness.

“Prison”, the second track, is one in which you can clearly see how important were this subjects in the creation of the album. With lyrics such as “I’m too deep to believe I can face myself” or “I’m my own natural disaster beneath my skin”, this song is a clear example of just how raw and emotionally authentic is this album.

One difference I noticed between this album and its predecessors “Deadweight” and “Blueprints”, is how much the interaction between both lead singers has evolved. While both previous are albums have their charm, I must admit I preferred this one, mostly because of the perfect balance between Bond’s and Quistad’s voices.

The one song in which I perfectly noticed this equilibrium was in the fourth track, "Ghost". It really stunned me, considering how different this two voices are, but no difference of volume or tone mask the same emotion both present in the entire album, but especially in this track.

If you ask me, one thing an album must succeed in order to be actually memorable must be in delivering the emotion they convey in their songs into our very core. "Pressure", through its lyrics, its voices, even its rhythm, does exactly that. This album is a solid recommendation for those music lovers who, just like me, are interested in broadening their musical knowledge and adore meaningful lyrics.

what's happening with Album reviews 2019

ALBUM REVIEW: Bad Omens – “Finding God Before God Finds Me”

bad-omens

By now, it goes without saying that I’m a sucker for albums and songs that explore the darkest corners of our minds. Through their latest album, Bad Omens, a metalcore band formed in Virginia back in 2015 with Noah Sebastian, Nicholas Ryan, Joakim Karlsson and Nick Folio as its members, does exactly that.

After three years from their first record “Bad Omens”, they’ve returned with "Finding God Before God Finds Me", a complex ten-song’ track album that keeps up with their tradition of discussing important matters through their music. In this case, they discuss one fear that most of us have had at some point in our lives: how trusting is scary, the courage that it’s implied in doing so and how it feels to trust blindly and be hurt as a result. As a listener, I was charmed by how candidly they spoke of this and found myself hearing intently at every word.

Out of an album, the intro songs are never my favourite but "Kingdom of Cards" might have become the exception to the rule. This introduction discusses one of our worst fears, which is stepping outside our comfort zone for others, only to find ourselves hurt. With a catchy beat and lyrics that spoke right to my soul, I found myself bobbing my head to the rhythm and yearning to learn its lyrics as soon as I could. “Kingdom Of Cars” is an introduction that sets the theme for this whole album in a way that exceeded my expectations.

Something that I really like is how every issue discussed is done with a dose of strength. "Careful What You Wish For" – this album’s third track – is focused on a most important topic: suicide. This track might not be meant for the weak of heart but what’s interesting is that though there is an accurate note of despair in the voices and the rhythm speaks of chaos, the lyrics are strangely courageous and understanding, "If you need a place to hang your head, a shoulder’s better than a knot" being one graphic example of this.

Another two tracks worth mentioning are “Mercy” and "Said & Done", the seventh and eighth songs in this record. Now, by the time "Mercy" starts, we’ve listened to six fast, loud songs filled with screamo. As fitting as I personally believe these aspects are for the album and the theme, it might feel slightly overwhelming for a listener perhaps used to another sort of music. With "Mercy" and especially with "Said and Done", a calmer, lower sort of sound is offered. The screamo is still there, but in a much-dissolved manner, and their lyrics complement what are two amazing songs.

The last two songs "Burning Out" and "If I’m there" also implicate a change of sound from the first part of the album, but the reason they stand out for is the amplified emotion they possess. With lyrics like "That we’re not perfect, but we’re proud of who we are" and "And if you’re there to catch me when I fall / Then maybe Hell ain’t so bad after all", they speak of a progress made since the start of this album and, while they leave the listener with a feeling that struggle is not yet over, they perform the closure to "Finding God Before God Finds Me" perfectly.

If the first part of the album was perhaps slightly redundant in its sound, the second part more than makes up for it. “Finding God Before God Finds Me” is an utterly entertaining and oddly moving album with a powerful message and a solid unity between all its tracks. With this easily being one of the albums I’ve enjoyed hearing the most so far in 2019, I believe “Bad Omens is one band to look out for.

what's happening with Album reviews 2019

ALBUM REVIEW: Tool – Fear Inoculum

tool

The best thing about music is that you never know what to expect when you begin the quest to find new songs to listen to.

Listening to Tool’s latest album was not my first endeavour into metal, but it was my first into this slower sort. In honour of Tool announcing their newest tour, we’ve broken down "Fear Inoculum" for you.

This Californian band composed of Danny Carey, Adam Jones, Maynard James Keenan and Justin Chancellor has been active for almost thirty years. They also have four previous albums and three Grammy awards under their belt.

"Fear Inoculum" is their first album in thirteen years and, while the extensive duration of the songs hasn’t been lost (in fact, these new tracks are mostly longer than their predecessors), their sound has notably changed.

While the band has always been characterized by lengthy songs, long instrumental intros and bridges, and the use of sound effects, something different in this fifth album in comparison to its predecessors – "10000 Days", "Lateralus", "Aenima" and "Undertow" – is the softer, less rapid sound. Of course, no hiatus between albums or sound alteration could change the band’s soul, which makes, for now, five interesting record experiences.

Something that caught my eye is that most of the ten tracks composing this album are over ten minutes long, so the amount of lyrics is remarkably low compared to the instrumental solos of the album. While it might not be the best way to go for a more impatient listener, this record is still very pleasing to hear and brings a sense of refreshing novelty to the people who, like me, are used to something else.

The first two tracks, "Fear Inoculum" and "Pneuma", work as a preview for what the sound of this album is and also, they introduce what is the theme to be discussed.

As it’s title says, what Tool discusses through this album is not only fear but how contagious and venomous it can be, even when we are used to fighting it back. It speaks of us as warriors, and of fear as our relentless one true enemy. Yet, the almost silver lining they express is how, even when we are at our most exhausted state, deep inside we are always ready to fight back.

What it’s amazing about this album is that not only the lyrics are tinted with a powered sense of resistance, but also the rhythm, however fast or slow it might be through the record, gives the listener a feeling of courage and confidence.

Another track that stands out, perhaps for its faster beat, is this album’s ninth, "7empest". While continuing the formerly discussed theme, it also adds the element of chaos and deception that always comes with fear. Even it’s quicker beat, and Carey’s outstanding performance in the drums are essential in order to achieve that sort of emotion.

While it might take a while for the public used to a faster and louder sound to get used to Fear Inoculum, this album is certainly worth the try. Tool has produced something unlike anything I’ve heard before, and I’m excited to see where do they go next.

what's happening with Album reviews 2019

Album Review: Sleeping With Sirens – How It Feels To Be Lost

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It’s been two years since Sleeping with Sirens last released an album. After predecessors “With Ears To See and Eyes to Hear”, “Let’s Cheers to This”, “Feel”, “Madness” and ”Gossip”, this ten-year’ group from Michigan with members Kellin Quinn, Justin Hills, Jack Fowler and Nick Martin have made their return with “How It Feels To Be Lost”, an album that while shows a certain change in their sound from tracks such as “If I’m James Dean, You’re Audrey Hepburn” or “Empire To Ashes”, it also proves they definitely haven’t lost their touch.

"How It Feels To Be Lost" is one of those albums that leaves you with so much to say that you find it difficult to summon the right words to describe just how amazing was the experience of listening to those songs. It is one of those albums that makes you empathise from the start, and by the end leaves you unable to handle your feelings. I have been obsessing over these newly released eleven tracks, and now it is finally time to review this outstanding album.

Like the title implies, this album provides us with a full-circle study of what happens when we feel adrift. The feeling of uncertainty, struggle, chaos, guilt and sadness that comes with mental issues such as anxiety and depression. While I will expand myself later, I need to say this now: they did a wonderful job in pouring all this feelings into this album.

"Leaving It All Behind" and "Never Enough", the first two tracks, provides us with a fascinating contrast between their chaotic, fast rhythm, and the actual darkness and depression poured into the lyrics. They discuss what would happen if we were adrift or gone, not only from a first person’ point of view, but also from the spectator’ perspective.

About the first song, Quinn has said: “It’s all about depression and anxiety. It’s something that I think needs to be talked about, and it’s something that I struggle with and deal with all the time. I wanted to make a record that was just purely honest about it, and I think that it’s for those people that need that record”

If the first two tracks function as the album’s introduction into the subject, the real glimpse of what angle will be discussed by the band through the album is given by the title track. While it may not be ideal for the more sensitive listener, it explains perfectly how it feels to be anxious or depressed. The struggle that comes with both issues, the guilt, the self-blame, the mental chaos, it is all so well explained that, as a listener, I was completely and utterly emotional by the time it finished.

“I wear my heart on my sleeve like a worn-out sweater / But with a needle and some thread, I’ve been keeping it together” are my favourite lyrics out of this album, and they are from the fourth track: “Agree To Disagree”. While its lyrics may be less deep than its predecessors, it certainly stands out when it comes to its tune, definitely becoming the catchiest one yet, as far as I see it.

While “How It Feels To Be Lost” was perhaps more explanatory of the issues in discussion, track number five – “Ghosts”, is in a certain way more moving. This track talks of how it is to feel as if we faded away, seemingly unimportant and invisible to the rest. Again, this may not be the best track for a sensitive person to hear, but this issues are so important to be discussed and Sleeping With Sirens do so remarkably well, so it goes without saying that I have quickly grown obsessed with this song.

With “Blood Lines”, the sixth track, what is discussed, instead of the issue per se, is one of the infinite problems that can derive in mental and emotional disorders. What I like best about this track is that it also provides with words of encouragement, something that I have noticed as quite usual throughout this album. With lyrics such as “You can’t change what you were born into / Don’t let it bury you”, while I may have been hit a little bit too close to home, I also couldn’t help but feel supported and understood.

The seventh track, “Break Me Down”, is the first in which there is a feeling of post-battle. While the chaos and pain has never been more obvious, there is also an implication of progress, of acceptance that things happen and that we have the strength to rise above. It admits that the struggle is still ongoing but the tune, the lyrics and even the voice all speak of a feeling quite different than in the first six songs.

If there’s a feeling not mentioned so far, that’s melancholy. That changes with the following two tracks – “Another Nightmare” and “P.S. Missing You”. While the first seems to call for a loved one disappeared from their life, the second one is quite more emotional, because it seems to ask not so much for another person, but for our happier, pre-battle’ self.

Though it didn’t get to bother me, if there was a song I could have done without, that would be “Medicine (Devil In My Head)”. Musically, it goes back to the chaotic rhythm of the first songs and while it is adequate considering how unpredictable the matter in discussion is, its lyrics weren’t too great in comparison to previous tracks, so I believe that as a whole, the album would have done much better without it.

Now, my absolute favourite was the final song: “Dying To Believe”. The track changes completely into a more acoustic sound than the one we’ve become used to in this album. There’s still the same chaotic feeling, but there’s an addition of hope and faith that none of the previous songs have. Not for the first time it is discussed what it is to accept the struggle and slowly overcome it, but there is a newly feeling of tiredness, which implies a new progress made and, in a way, it closes beautifully the topic opened with “Leave it All Behind”

All in all, this is one hell of an album. All eleven songs had me absolutely entranced, their lyrics deeply emotional and their sound completely obsessed. I’m enthusiastic to see where they go from here, and I encourage everyone to give this album a try.

Feel free to leave your comments below!

what's happening with Album reviews 2019

Album Review: Melanie Martinez – “K-12”

melanie-martinez-k-12

I saw Melanie Martinez live at the Lollapalooza festival back in 2017 in Buenos Aires, Argentina. The pastel colours, the toys and child’ items such as cribs or pacifiers have always been a huge part in the singer’s aesthetic and it shows not only the detail she puts on her stage but also, they are a graphic description of the image she strives for in her lyrics, her rhythm and even her outfits. Melanie Martinez has always been one of those singers who creates a world in a most detailed manner and with “K-12”, she manages to carry on her tradition.

Starting as a contestant in the television program “The Voice”, and achieving worldwide popularity with her debut album “Cry Baby”, Melanie Martinez is a 24-year-old singer, songwriter and photographer from New York who has now made it back to the spotlight with her second album “K-12”, an album that seems to continue with the theme and storyline initiated with “CryBaby”.

Something that always calls my attention about her music is how lighthearted and even childish it seems to be, especially considering the darkness of the subjects she touches. Again, it is noticeable how much thought Martinez puts into her work. The track titles, the innocent tunes proper of child lullabies and even Martinez’s own light, sweet voice helps to deceive the listener and hides the depth “Cry Baby” and “K-12” actually has.

If “CryBaby” was the introduction to this world in which Martinez uses metaphors to describe issues such as alcohol intake, drugs consumption, and sexual assaults – some of this directly referencing her own childhood, “K-12” is an expansion of this same universe with the character Cry Baby still as it’s protagonist. While the background in this second album changes into a school environment (K-12 Sleepaway School), Martinez keeps up with her tradition of using childish metaphors and music to describe darker and more mature topics.

Along with the album, Martinez’s released a 90-minute’ movie that gives an extended content into this album and the world Cry Baby lives in. For those unfamiliar with this world’s protagonist, Cry Baby is Martinez’s alter-ego, a trastornated, insecure girl with a family full of flaws but that tries to conceal them to all strangers, and hence leaving Cry Baby with a sense of fakeness on her own life. While perhaps too long, it gives a more graphic view into how twisted is Cry Baby’s life, the society she lives in, and her own mind.

The album starts with “Wheels on the Bus”, which describes the road trip to K-12 Sleepaway School. Another aspect that Martinez’s carried over from “Cry Baby” is her criticism on the adult population that turns a blind eye to the unhealthy behavior portrayed by their youngsters (in this case shown through the driver’s characterization) What’s really interesting in this track is how she describes herself as annoyed and even resigned by this indifference, as expressed by lyrics such as “I’m quietly observing‚ I’m saying nothing”.

With the second song, “Class Fight”, the situation described is Cry Baby’s struggle with having a crush on a boy who is with a classmate of hers. Not only do Cry Baby’s parents make their first appearance in “K-12” but also, we get another glimpse of how toxic their relationship is, with her father especially violent, and Cry Baby susceptible by their influence.

“Shooting at the angels while claiming you’re the good guy” and “By the separation in this place that you’ve created” certainly are two of my favorite lyrics of this album, and they are from the third track, “The Principal”. Here, a political stance is given since her criticism towards the negligent adult figure seems to now focus on United States President’ lack of action towards the recent spree of school’ shootings, hence the principal’s metaphor.

Martinez’s ability to say important things and speak her mind in a subtle way has never stunned me more than in this song. I have always applaud the musicians who take their time to speak up about important matters, so “The Principal” has quickly become one of my favorite songs out of “K-12”.

Bullying is a subject that Martinez’s discussed at length previously, but it takes the spotlight in the fifth track: “Nurse’s Office”. Here, the main subject is how widespread is bullying amongst school’ peers but what’s also implied, is the indifference the school staff has on the subject. Bullying is bad enough but to have no support system on top of that has to be excruciating. In “Nurse’s Office”, Cry Baby copes with it by faking illness so as to be able to leave the school’ premises.

Another of my favorite songs is this album’s seventh track “Strawberry Shortcake”, in which the topic discussed is the ridiculous stigmas installed in the society, such as how we must be perfect all the time and how the way we dress, talk or behave has a direct incidence in any harm inflicted by males onto us.

“Instead of making me feel bad for the body I got / Just teach him to keep it in his pants and tell him to stop” is one of the lyrics that perfectly convey the message of this song, while also managing to be completely empowering. Speaking out about this outrageous conducts we approve as a society is so important, and the singer manages to do so in an outstanding way with “Strawberry Shortcake”.

With the ninth track, “Orange Juice”, Martinez touches yet another important subject, which is bulimia. Here, she gives the metaphor of turning oranges into orange juice to describe the process of purging and with lyrics such as “I wish I could tell you that you’re fine, so fine / But you will find that disconcerting”, she states ourselves as our worst critics and the last to believe any good trait another person may think we have. It is a great analysis on the insecurities we have about ourselves physically, but the highlight of the song is the inspiring message she gives that we are all perfect just the way we are (“Your body is perfectly imperfect”).

All in all, I think “K-12” is one of those albums you need to get deep in touch with the lyrics in order to understand just how good these songs are. I admit that it took me a while to find the charm in this album and my first endeavours into this album and it’s world left me feeling that musically, it was too repetitive of its predecessor. Now that I’ve analyzed it completely, while I perhaps could have gone with a change in the tune, I understand that since this is a continuation of the world created in “Cry Baby”, there needed to be a strong resemblance in sound, themes and aesthetics.

Also, I recommend you to watch the movie. For listeners who, like me, love a good world’ building, this movie certainly accomplishes that. It took Martinez four years to film this interesting film, and she’s released it for free in all platforms, proving how there are kind hearts left in the world.

Tell us what you thought of “K-12” and check it out below if you haven’t listened to it yet!