CONCERT REVIEW: Ghost Haunt Amsterdam With Epic, Phone-Free Spectacle

After a two-year absence, Ghost returned to the Netherlands, this time performing at the Ziggo Dome in Amsterdam instead of the AFAS Live, which they had sold out on their previous two tours. The band came close to filling the 17,000-capacity venue, despite a no-phone policy that reportedly deterred some fans from attending.

The no-phone policy presented challenges. Attendees had to place their phones in locked bags, which could only be opened at the end of the show or in designated phone areas. This process caused delays, with queues extending past the scheduled start time, potentially frustrating fans eager to see the entire performance, especially given the ticket prices.

Despite the logistical hiccups, Ghost’s current tour is their most ambitious production yet. Alongside their iconic church backdrop, the band featured a talented live ensemble, including backup singers in Ghost-inspired outfits, delivering hit after hit to an enthusiastic crowd. The absence of phones seemed to heighten the audience’s engagement, creating a more immersive experience.

Ghost’s popularity has soared recently, fueled by viral TikTok hits like Square Hammer and Mary On A Cross, which justified the venue upgrade. The band also had their latest album, Skeletá, released just weeks ago! However, the setlist wasn’t heavily focused on the new record; it celebrated Ghost’s extensive discography, featuring fan favourites from every era, including their debut, Opus Eponymous.

The show was visually dynamic, with multiple outfit changes, evolving backdrops, and sensory spectacles like pyrotechnics, CO2 cannons, and fireworks at key moments. While the production was impressive, some felt the spectacle didn’t fully match the high ticket prices, though the show was far from disappointing. Ghost remains one of the most distinctive live acts, consistently leaving audiences in awe. The set had occasional lulls, but the powerful encore—featuring Mary On A Cross, Dance Macabre, and Square Hammer—was a highlight, amplified by the phone-free environment.

While the no-phone policy enhanced the experience, the locked bags felt excessive to some. A simpler approach, like Tool’s method of enforcing a phone ban with the risk of ejection, might be preferable. Overall, Ghost delivered a memorable performance, blending theatricality and musicianship.

Check out photos of the Ghost performance in the gallery below and let us know if you’re attending any of the remaining shows!

Glenn van den Bosch

See Full Bio